There is something especially dramatic and compelling about a photo that has to rely on tone, shape, texture, contrast, and shadow rather than vibrant color design. You may have poured over prints by Ansel Adams and Alfred Stieglitz and wondered how they managed to capture such amazing, and deceptively simple, images. Minimalist black and white photography is something anyone can try, but only a few manage to master the techniques necessary to make it great.
If you're serious about trying this, you will have to learn to ignore color. You teach yourself this in a couple of ways. There are monochrome viewing filters you can buy for your camera. You can also go out and buy some inexpensive sunglasses that have dark gray lenses. Monochrome will work with almost any subject matter that interests you, people, cityscapes, landscapes, or still lifes.
A lot of instructors put primary emphasis on composition. Composition is important, for sure, no matter how many colors are involved. Compositions that work in color however may not work in monochrome. You must learn the elements of composition that make monochrome so distinctive.
The foundation of good monochrome photography includes several elements. One of the most important is tone. There are subtle differences between tone and contrast that you must be aware of. When you are taking pictures of something like a street scene that is full of vibrant colors, you may be surprised to learn that the color doesn't translate well if you change it to monochrome. It can become an uninteresting muddle of different gray tones. You will improve the photo with colored filters or by adjusting the lighting.
Shadows are something you must become aware of. These are powerful tools for those making minimalist art. If your shadows are strong, you have a chance of taking a good photo. Shadows are intriguing to people. It's important to understand that a shadow isn't a black void. It can, and often should, be full of shadows that observers may or may not be able to completely make out.
There are shapes in shadows, but it's contrast that creates them. Shadows can be the element that defines your photos. Shapes are the objects the human brain uses to define and recognize its surroundings. One of the ways we identify objects is by the way they are shaped. Working in monochrome makes it even more important to look for shapes, and how they work with contrast and tone.
Texture is part of light and shadow. It can be tricky. If you eliminate it in an effort to get a stark effect, you will have something more abstract than if you had included it. You can emphasis texture by lowering the level of the light source. Light creates shadows and highlights that will reveal the texture in your subject.
Eliminating color can be risky. Color serves as a crutch sometimes for those unsure of their technique. Artistry is more readily revealed when you strip away the color.
If you're serious about trying this, you will have to learn to ignore color. You teach yourself this in a couple of ways. There are monochrome viewing filters you can buy for your camera. You can also go out and buy some inexpensive sunglasses that have dark gray lenses. Monochrome will work with almost any subject matter that interests you, people, cityscapes, landscapes, or still lifes.
A lot of instructors put primary emphasis on composition. Composition is important, for sure, no matter how many colors are involved. Compositions that work in color however may not work in monochrome. You must learn the elements of composition that make monochrome so distinctive.
The foundation of good monochrome photography includes several elements. One of the most important is tone. There are subtle differences between tone and contrast that you must be aware of. When you are taking pictures of something like a street scene that is full of vibrant colors, you may be surprised to learn that the color doesn't translate well if you change it to monochrome. It can become an uninteresting muddle of different gray tones. You will improve the photo with colored filters or by adjusting the lighting.
Shadows are something you must become aware of. These are powerful tools for those making minimalist art. If your shadows are strong, you have a chance of taking a good photo. Shadows are intriguing to people. It's important to understand that a shadow isn't a black void. It can, and often should, be full of shadows that observers may or may not be able to completely make out.
There are shapes in shadows, but it's contrast that creates them. Shadows can be the element that defines your photos. Shapes are the objects the human brain uses to define and recognize its surroundings. One of the ways we identify objects is by the way they are shaped. Working in monochrome makes it even more important to look for shapes, and how they work with contrast and tone.
Texture is part of light and shadow. It can be tricky. If you eliminate it in an effort to get a stark effect, you will have something more abstract than if you had included it. You can emphasis texture by lowering the level of the light source. Light creates shadows and highlights that will reveal the texture in your subject.
Eliminating color can be risky. Color serves as a crutch sometimes for those unsure of their technique. Artistry is more readily revealed when you strip away the color.
About the Author:
See the exhibitions of the very talented minimalist black and white photography expert online. To get instant access to the website, here is the link http://www.kieranwalshgallery.com/about.
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