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Tuesday, 19 June 2012

Acting Coaches in Los Angeles- Childhood Fears

By Kirk Baltz


When it comes to acting, great abilities cannot be formed overnight. It is only through rigorous study and training that actors can reach their goals. To reach this goal, an actor must delve into his soul and discover who he truly is as a person.

Each person and character alike is multi-faceted as opposed to being one-dimensional and static. The three dimensions, in particular, that compose the human person are the tragic flaw, the public persona, and our ubiquitous lifelong insecurities and difficulties. An acting coach can not only help an actor uncover his own dimensions but can also aid him or her in using these traits to create dimensional and relatable characters.

Carl Jung espoused the belief that the human person creates a public persona as a means of protecting his true self from others and conveying an image of strength and security as a means for survival. Expression of this persona occurs in all areas of our lives. Characters also have personas that they create to protect their true selves from the rest of the world and actors must learn to utilize their own personas to create those of their characters.

Although the public persona is the dimension that is the most easily recognizable and obvious in a character, it is only an exterior facade and not the core of the individual. The root of a person's character is grounded in their growth and development from childhood. Acting workshops are quite helpful in training students to come to grips with these important facets of their being, allowing them to create very real characters.

Our childhood challenges and situations mold us as adults and remain with us for the duration of our lifetime. The same is true of created characters. Covering up these vulnerabilities under a shield of stability is our means of appearing strong rather than helpless to others.

A great actor is one who succeeds in stripping away both the their own exterior and that of their character to reveal a deeper identity. Only in this way can characters be made relatable.

All persons in the audience, like the actor and the character, have both a personal core as well as a public persona they have created to protect it. Regardless of whether or not they are aware of this fact, creating a dimensional character will never fail to hit a chord with the watcher. The exceptional actor is one who is able to create such a character.




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