Jazz is typically a smooth and soothing aural art form especially for the guitar player if there is one in the band. It is a matter of what is played not the volume or the number of modulated sounds that can be wrung out of a plethora of effects units. The guitarist needs a jazz guitar amp that will convey the player's dexterity and feel directly and honestly to the audience.
Volume is required but it is not the prerequisite of the amplifier, more it is the quality of the sound produced. Volume is a requirement of the rock player where it is needed in buckets to rise above the accompaniment of the band and the roar of the audience.
The rock player often employs a plethora of additional modulated sounds to create large washes of sound to either penetrate this background or create moods to accompany it. Country players will similarly employ devises or use volume to slice through the background sound especially with their typical penetrating shrill solos.
Jazz bands in which the guitar features as a prominent instrument often perform in trio and quartet combinations. The main venues tend to be small and intimate spaces where band and patrons are often crammed in almost on top of each other. The band gear is then necessarily small and compact especially if a double bass is part of the line up. This is some contrast to fellow musicians performing in a rock or country band that might be performing on a large stage complete with remote controlled PA systems.
The guitarist in this situation then has no need for a complex amp and huge speaker enclosures like his rock counterpart. The amp has to be good enough to cut through sufficiently and clearly when it is time for a solo. The unit is then typically small and has minimal controls.
The added advantage in this reduction of size and weight often means the player can turn up at a gig amp in one hand guitar in the other. This is unlike his rock counterpart who has to find parking nearby for his trailer full of gear.
When buying an amplifier cost is obviously a consideration. The amateur player might purchase a more standard practice type, mass produced amp when starting out. Unfortunately the sound they get from it may become increasingly disappointing as they progress in their playing technique and start to define the type of sound that they want.
This would not be the case for the professional or aspiring professional though. A good jazz guitar amp would be considered expensive if you consider bang, as in volume and features, for your buck. What you pay for is quality of build and sound. They often incorporate the best components that can be sourced in order to build them. These units are often hand made and some are built specifically to customers requirements.
Volume is required but it is not the prerequisite of the amplifier, more it is the quality of the sound produced. Volume is a requirement of the rock player where it is needed in buckets to rise above the accompaniment of the band and the roar of the audience.
The rock player often employs a plethora of additional modulated sounds to create large washes of sound to either penetrate this background or create moods to accompany it. Country players will similarly employ devises or use volume to slice through the background sound especially with their typical penetrating shrill solos.
Jazz bands in which the guitar features as a prominent instrument often perform in trio and quartet combinations. The main venues tend to be small and intimate spaces where band and patrons are often crammed in almost on top of each other. The band gear is then necessarily small and compact especially if a double bass is part of the line up. This is some contrast to fellow musicians performing in a rock or country band that might be performing on a large stage complete with remote controlled PA systems.
The guitarist in this situation then has no need for a complex amp and huge speaker enclosures like his rock counterpart. The amp has to be good enough to cut through sufficiently and clearly when it is time for a solo. The unit is then typically small and has minimal controls.
The added advantage in this reduction of size and weight often means the player can turn up at a gig amp in one hand guitar in the other. This is unlike his rock counterpart who has to find parking nearby for his trailer full of gear.
When buying an amplifier cost is obviously a consideration. The amateur player might purchase a more standard practice type, mass produced amp when starting out. Unfortunately the sound they get from it may become increasingly disappointing as they progress in their playing technique and start to define the type of sound that they want.
This would not be the case for the professional or aspiring professional though. A good jazz guitar amp would be considered expensive if you consider bang, as in volume and features, for your buck. What you pay for is quality of build and sound. They often incorporate the best components that can be sourced in order to build them. These units are often hand made and some are built specifically to customers requirements.
About the Author:
When you want information about a quality jazz guitar amp, visit the web pages at www.soundislandmusic.com today. You can click on the links at http://www.soundislandmusic.com now.
No comments:
Post a Comment