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Tuesday, 25 March 2014

Who Is The Archetypal Renaissance Man?

By Darren Hartley


Among the Michelangelo paintings are two of the most influential works in fresco in Western art history. These are the scenes from Genesis on the Sistine chapel ceiling and the Last Judgment on the Sistine Chapel altar wall in Rome. These works are renowned inspite of Michelangelo's low opinion of painting.

Michelangelo di Lodovico Buonarroti Simon was an Italian Renaissance painter, sculptor, architect, poet and engineer. He is not only known for his Michelangelo paintings but also for two sculptures made before he turned thirty. These are the Pieta and the David.

Michelangelo also revolutionized classical architecture. He accomplished this by using plaster as the main ingredient when he designed the dome for St. Peter's Basilica. Like the Sistine chapel, this basilica can also be found in Rome.

Michelangelo is the best documented artist of the 16th century when the sheer volume of surviving correspondences, reminiscences, and Michelangelo paintings in the form of sketches are taken into account.

Michelangelo's versatility in the disciplines of the highest order lead him to be often considered for the title of the archetypal Renaissance man, along with his fellow Italian and rival, Leonardo da Vinci. This versatility Michelangelo acquired despite his making only a few forays beyond the arts. The Renaissance man is a man whose seemingly infinite curiosity was equalled only by his inventive powers.

Among the most famous, most reproduced and most parodied portrait and religious paintings of all time are the Mona Lisa and The Last Supper, two Da Vinci paintings and the Creation of Adam, one of many Michelangelo paintings. They occupy that unique position in the art world.

Leonardo di ser Piero da Vinci was an Italian polymath, having been a scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician and writer, one time or the other. However, it is primarily for his Da Vinci paintings that he was renowned for.

The Vitruvian Man drawing is among the iconic Da Vinci paintings. Unfortunately, the number of surviving Da Vinci paintings is very minimal, pegged at 15. This low survival rate has been attributed to Leonardo's constant and often times disastrous experimentation with new methods. His chronic procrastination of his works was also a contributing factor.

However, these few Da Vinci paintings comprise a contribution to later generations of artists, together with his notebooks, containing drawings, scientific diagrams and thoughts on the nature of painting. Again, this contribution is only rivalled by the corresponding contribution of his chief rival contemporary, Michelangelo.

The earlier Da Vinci paintings were products of an education in the studio of the renowned Florentine painter, Verrocchio.




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